Exquisite conversation scene between Sosuke Ikematsu and Sairi Ito "This movie has almost no ad lib" Director Daigo Matsui talks about the movie "Just Remembering" (2)

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From the left of the photo, Daigo Matsui and Rina Takeda (Photo: Radio Kansai)

The radio program "Rina Takeda's Discerning Time" (Radio Kansai), in which actress Rina Takeda serves as a personality. Continuing from the previous episode, Daigo Matsui, a movie director and director of the theater company Gojigen, will appear as a guest on the February 5th broadcast. Directed by Matsui, he gave a talk about the movie "Just Remembering" to be released on February 11. [Video] Movie "Just Remembering" Long Trailer "Just Remembering" starring Sosuke Ikematsu and Sairi Ito. Matsui explains the intention of starring the two of them as follows. "That's exactly what Ikematsu-kun and Creap Hype's Ozaki (world view) are doing, such as" I'm sorry for myself "(released in 2013) and" Our huh "(released in 2015). In the midst of it, when I said, "I want to do it once again as a member of the origin return, including the photographer," I called out to Mr. Ikematsu. When it became a love story for men and women, the atmosphere of Mr. Ikematsu was very good. In contrast, when I thought that someone like the sun would be nice, I would like Mr. Ito. "(Matsui) Takeda also praised the combination of Ikematsu and Ito. It was said that he was particularly interested in the lines. "The same is true for scenes where two people walk and talk, and scenes in the car, but I think they are talking for a long time (shooting). How far is that? There are many lines. (Takeda) In response to this, Matsui replied, "Oh, I think it's all sloppy. This movie has almost no ad lib." He talks about his commitment to shooting techniques, including the differences between the stage and the movie. "There are more things that I don't decide on the stage, so I think it's better for customers to come in and change over and over again without deciding on an interpretation. On the contrary, in the case of a movie, I like to "decide" and "decide" and look like I haven't decided. Maybe there are all the movements of the camera, so I have to decide. I thought it would be nice if I made a decision and made it look like I had just come up with it. "(Matsui) Matsui is particular about making movies," not limiting his imagination. " "What I'm particular about is that I don't make one emotion ... In any scene, for example, if a man and a woman eat rice in a friendly manner, they don't just enjoy eating rice. . It's not that much of a scene, but maybe there's a sadness that makes me wonder if this time will end. Watching a movie in a movie theater is just for the viewer, and the feelings for that movie. I like Chaplin from the beginning, but I really like laughing and crying, and feelings messed up, which is something I keep in mind in any work of art. It's fun. It's okay for some people to think that it's sad, to see it because it's sad, and to see it because it's lonely. " In making, he talks about not an easy way, but always trying to take on challenges. "Speaking of how the ocean progresses in this industry, I like Taro Okamoto, but when I read a lot about Taro Okamoto's book, he said,'If you get lost, choose the difficult one.' It's the most comfortable. Also, there is a word from Takeshi Kitano, "I'm not going to have fun because I'm dying, but I'm going to suffer because I'm going to die anyway." It's quite big, so even if you think it's hard work or hard work, you can enjoy it, and you can imagine it when you say "Would you like to do this work?" I refuse when I feel that it will be more difficult for me to refuse this. On the contrary, it will be more difficult for me to do this, which is an index for me (making works). "(Matsui) Takeda, a program personality, also said, "I've been in high school, but I've always chanted" I can't get without pain "in my heart. (From my experience at that time) I have pain. I still think that there is something to be gained from, "he said, sympathizing with Matsui's thoughts. * From Radio Kansai "Rina Takeda's Discerning Time" broadcast on February 5, 2022

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